After two short, but eventful months spent stateside, I am heading back to the Caribbean this evening. Jenny and I will be flying out of Reagan Intl. into Panama city and then catching a commuter flight into the San Blas tomorrow morning. Stephen and Chuck will be waiting for us at "el aeropuerto," a conglomeration of huts built around a tiny airstrip on the main island of El Porvenir. 
They promised to bring coffee, which will be needed after two late nights with the Sanders' family and a third night of travel. I don't know if the Kuna are big on coffee, but Stephen happily reported Balboas (the national beer) are still $1 as in 2006. This is good news for our budget.
I'm looking forward to traveling back with Jenny, who is sometimes nervous about flying. Good thing I didn't show her the picture of our commuter plane before we left! Our arrival into San Blas marks the beginning of the second half of our journey - the Western Caribbean. Stephen and Chuck arrived in San Blas last weekend after a week long passage from Curacao. 
Jenny and Chuck will be our first guests on this leg of the trip and I am excited to spend some quality time with them here. The last time they were both aboard Synchronicity was Fall of 2008 when we arrived in Annapolis after our trip up the Northeastern coast to Maine. Chuck gave us our first boat, the "L Phin L." It's come full circle as we now get to share with him, the dream he inspired - a major ocean passage and its payoff. We plan to travel through the San Blas islands until October, when the squalls hit. By this time we'll be near Playon Chico, towards the eastern most end of the island chain where we can sail on to Cartegena, Columbia. From there, we hope to travel through Panama again, onto Honduras and Belize. At that point, our course will be determined by the status of the oil spill, hurricane season, and/or other opportunities to replenish funds. In our life of unknowns, at least one thing remains certain - we will need to work again!
Brigitte and Moncie will be our second guests, arriving in the San Blas the first week in September. Sharing San Blas will be like watching the expressions on a kid's face at Christmas. You wish for something like this, see it in the movies and magazines, but is it as real as the picture? And would you ever get to have it for yourself? An archipelago of over 300 islands off the Caribbean coast of Panama, the San Blas is about as surreal as it gets. It is home to the Kuna Yala, an indigenous indian tribe still practicing a very traditional way of life, making the best of their natural resources.
In the 1930s, the U.S. helped the Kuna negotiate terms with Panama on this reserve that now belongs solely to them. They are considered citizens of Panama and often send family to live in Panama City for months and years at a time for work and a public school education. The Kuna seem to have the best of both worlds without the tax burden. They continue to fish in hand-built canoes with make-shift sails, yet carry cel phones.
J.C., our charter captain in 2006 informed us, "Don't let them (the Kuna) fool you. They are not poor, but very rich." He explained how tourists come to the island feeling sympathetic for the Kuna and are ready to give them top dollar for their fish and crafts. They perceive the Kuna as an isolated and perhaps desperate group, as they hustle out to your boat in their dug-out canoes, inundating you with their wares and making the saddest puppy dog faces when you don't buy from them equally. "The Kuna are the richest people I know," JC explained as he kept them honest in their negotiations with us.
Kuna are smart, and very entrepreneurial. They may not be rich by U. S. standards, but they have an abudance of wisdom and contentment. They measure their wealth through their ability to provide for every need while maintaining a life free of daily stressors common to the modern world - the ones that can lead to a general unhappiness most of us get comfortable with. And they get to do it in a paradise many are eager to devleop. 
Another interesting aspect of their lifestyle is the culture of making "molas." Molas are pictorial patterns embroidered onto pieces of fabric for the purpose of sharing Kuna tradition. The art is passed on in every family, usually to daughters unless there are only sons. In that case, the youngest son is often raised as a female for the purpose of carrying on the tradition. There are "Master Mola Makers" and then there are those that mass produce the patterns of the "artists." We met two such artists, Valencio and Lisa (above).
In the 1930s, the U.S. helped the Kuna negotiate terms with Panama on this reserve that now belongs solely to them. They are considered citizens of Panama and often send family to live in Panama City for months and years at a time for work and a public school education. The Kuna seem to have the best of both worlds without the tax burden. They continue to fish in hand-built canoes with make-shift sails, yet carry cel phones. 
J.C., our charter captain in 2006 informed us, "Don't let them (the Kuna) fool you. They are not poor, but very rich." He explained how tourists come to the island feeling sympathetic for the Kuna and are ready to give them top dollar for their fish and crafts. They perceive the Kuna as an isolated and perhaps desperate group, as they hustle out to your boat in their dug-out canoes, inundating you with their wares and making the saddest puppy dog faces when you don't buy from them equally. "The Kuna are the richest people I know," JC explained as he kept them honest in their negotiations with us. 
Kuna are smart, and very entrepreneurial. They may not be rich by U. S. standards, but they have an abudance of wisdom and contentment. They measure their wealth through their ability to provide for every need while maintaining a life free of daily stressors common to the modern world - the ones that can lead to a general unhappiness most of us get comfortable with. And they get to do it in a paradise many are eager to devleop. 
Another interesting aspect of their lifestyle is the culture of making "molas." Molas are pictorial patterns embroidered onto pieces of fabric for the purpose of sharing Kuna tradition. The art is passed on in every family, usually to daughters unless there are only sons. In that case, the youngest son is often raised as a female for the purpose of carrying on the tradition. There are "Master Mola Makers" and then there are those that mass produce the patterns of the "artists." We met two such artists, Valencio and Lisa (above). The patterns made by a Master Mola Maker are more intricate and therefore more expensive. Lisa is known as the "Donna Karan" of the Kuna, since she makes clothing as well. Stephen bought one of his favorite shirts (his "Camisa de Lisa") from her in 2006. He ran into her this week, adding another camisa to his wardrobe. It will be interesting to stay in the San Blas for such an extended period, making the transition from tourist to neighbor. I'm pretty sure life without internet is key to preserving the Kuna way of life. Bottom line, don't expect to hear from us for a while. On days with good frequencies, we'll send some messages from the boat, and we'll talk to everyone in October!!
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